<- Go back to Bookshelf Explanation:So they basically mean to say that a whole book can feel so big when in reality, it’s those specific sentences, phrases, and words that really hit you in the head and get that imagination fired up and recalling it years later in an imagined scene. They’re just finally writing them down instead of relying on vague impressions from a long time ago that they would have to re-discover through re-reading everything, which wouldn’t really bring it back and be a whole new experience altogether, even as re-reading does ground those remembered impressions back again to those specific syntaxes.
That means even 1.5 million words of a long fantasy series can be turned into 100,000 words of those literary sentence minings. The brain does the rest of the work, but you gave yourself a incredibly precise and comprehensive map than if you had none of those minings in the first place. It’s why summaries don’t work. The brain never latches onto impressions. They latch onto hyper-specifics that stun them for life.
January 9, 2026
Note 1
Being and Time by Martin Heidegger (1927)
The word "method" reminds of Hegel's "anger" at people who spend so much time going crazy over the method."strong poets", who perform "strong misreadings" of their precursors, and "weak poets"
In Idealism (Kant): The necessity of apperception is to prove that "I" control the world. The mind organizes the chaos of reality.
In Existentialism (Merleau-Ponty): The necessity of apperception is to realize that the world holds "me."
He flips the traditional logic upside down. He argues that you cannot associate "yellow" and "sour" unless you already have the unity of the "Lemon" to hold them together.
Merleau-Ponty is noting a strange feature of human consciousness. When you look at an object, you do not experience it as something created by your brain in that second. You experience it as something that was already there waiting for you.
16:00:02 – 16:14:0016:22:16 – 23:15:38"The lordly eagle when from craggy throne
He mounts the storm majestic and alone."
23:56:0000:03:0001:38:0015:06:35 – 15:10:1009:19:4818:51:0813:47:54 – 17:31:3817:31:40 – 17:47:5520:43:01 – 21:07:4921:12:06 – 22:01:4022:02:50 – 22:26:0522:03:59 – 22:18:01 Lots of Car Movement Verbs22:26:34 – 22:31:0413:54:3120:21:42 – 20:53:272:00:00 Notas-u00:34:43 – 01:20:1808:46:43 – 08:50:3212:17:21 – 12:20:5912:56:29 – 14:13:32[/text]/ = brackets with forward slashes by the author, not by me[text] = brackets by me during note-taking[[text]] = double brackets by me transcribing manually by keyboard at home after the event./././ or ././././ = ellipsis by the author in excerpting... or .... = ellipsis by me during note-taking<s>text</s> crossed-out by me during note-taking<s>*</s> crossed-out asterisk by me during note-taking<ins>text</ins> underline by me during note-taking to emphasize, with its own place, but one of its roles being to separate two words or phrases that both deserve to be given a bold emphasis, as in "two cars" where the emphasis on the whole and the separation of the two are both kept, while another role being to point out prepositions, like uses or forms or constructions that are novel to me<sup>text</sup> written by me transcribing manually by keyboard at home after the event to indicate text inserted in between after line was already written<sub>text</sub> written by me during note-taking to de-emphasize line**text** written by me to emphasize at a bold level, essentially higher than italics, during note-taking, as in using actual asterisks*text* written by me to emphasize at a italics level, essentially lower than bold, during note-taking, as in using actual asterisks04:53:00 – 05:46:00 Fragrant Rice by Janet De Neefe05:51:00 – 06:38:00 The Hearsts by Judith RobinsonI would not be too hard on the fools if I were you, Willie. If everyone were very clever, you and I might have a pretty hard time getting along.
07:24:00 – 07:34:00 Mother of Pearl by Melinda Hayes [[sic]]08:23:00 – 08:41:00 Lincoln by Gore Vidal08:43:00 – 09:10:00 Fragrant Rice by Janet De Neefe09:14:00 The Hearsts by Judith Robinson09:45:00 – 09:51:00 Mother of Pearl by Melinda Haynes09:58:00 – 10:10:00 Mother of Pearl by Melinda Haynes10:13:00 – 10:24:00 Lincoln by Gore Vidal10:28:00 – 10:51:00 Fragrant Rice by Janet De Neefe10:53:00 – 11:17:00 The Hearsts by Judith Robinson11:35:00 – 12:07:00 Mother of Pearl by Melinda Haynes12:11:00 – 12:30:00 Lincoln by Gore Vidal 12:35:00 – 12:46:00 Fragrant Rice by Janet De Neefe12:49:00 – 13:03:00 The Hearsts by Judith Robinson13:05:00 – 13:17:00 Mother of Pearl by Melinda Haynes13:54:00 – 14:19:00 Lincoln by Gore Vidal 14:28:00 – 14:38:00 Fragrant Rice by Janet De Neefe17:23:00 – 17:43:00 Lincoln by Gore Vidal17:49:00 – 18:13:00 The Hearsts by Judith Robinson<sub></sub> in accordance to superscripted/side note reading "wrapped in <sub></sub>"]]18:15:00 – 18:26:00 Fragrant Rice by Janet De Neefe18:29:00 – 18:35:00 Mother of Pearl by Melinda Haynes18:40:00 – 19:03:00 or 19:05 if including page where and [[sic]] ending status Lincoln by Gore Vidal19:13:00 – 19:16:00 Fragrant Rice by Janet De Neefe20:27:00 – 20:42:00 Fragrant Rice by Janet De Neefe20:44:00 – 20:50:00 Lincoln by Gore Vidal20:54:00 – 21:00:00 The Hearsts by Judith Robinson21:11:00 – 21:30:00 Mother of Pearl by Melinda Haynes21:36:00 – 21:51:00 Lincoln by Gore Vidal21:53:00 – 22:06:00 Fragrant Rice by Janet De Neefe07:05:00 – 07:06:00 The Hearsts by Judith Robinson07:12:00 – 07:17:00 Lincoln by Gore Vidal07:31:00 – 07:49:00 Mother of Pearl by Melinda Haynes07:51:00 – 07:59:00 Fragrant Rice by Janet De Neefe08:20:00 – 08:26:00 Lincoln by Gore Vidal08:31:00 – 08:36:00 Lincoln by Gore Vidal09:14:00 – 09:35:00 Lincoln by Gore Vidal09:39:00 – 09:50:00 Fragrant Rice by Janet De Neefe11:00:00 – 11:27:00 Mother of Pearl by Melinda Haynes11:30:00 – 11:46:00 The Hearsts by Judith Robinson12:07:00 – 12:26:00 Mother of Pearl by Melinda Haynes12:29:00 – 12:41:00 Fragrant Rice by Janet De Neefe12:43:00 – 12:55:00 Lincoln by Gore VIdal13:02:00 – 13:25:00 or 13:26:00 The Hearsts by Judith Robinson13:27:00 forgot to include end time, but probably 13:42 or 43 or so based on following entry's initial 13:44 start time, Lincoln by Gore Vidal13:46:00 – 13:53:00 Mother of Pearl by Melinda Haynes13:57:00 – 14:13:00 Fragrant Rice by Janet De Neefe14:15:00 – 14:33:00 Lincoln by Gore Vidal14:45:00 – 15:05:00 Mother of Pearl by Melinda Haynes15:07:00 – 15:25:00 Lincoln by Gore Vidal15:33:00 – 15:57:00 or 15:56 The Hearsts by Judith Robinson15:59:00 – 16:06:00 Mother of Pearl by Melinda Haynes16:13:00 – 16:22:00 Fragrant Rice by Janet De Neefe16:24:00 – 16:50:00 Lincoln by Gore Vidal17:00:00 – 17:23:00 The Hearsts by Judith Robinson17:43:00 – 18:02:00 Fragrant Rice by Janet De Neefe18:28:00 – 19:01:00 Lincoln by Gore Vidal19:05:00 – 19:28:00 The Hearsts by Judith Robinson19:32:00 – 19:44:00 Fragrant Rice by Janet De Neefe19:52:00 – 20:22:00 Lincoln by Gore Vidal20:27:00 – 20:40:00 Mother of Pearl by Melinda Haynes20:45:00 – 21:03:00 The Hearsts by Judith Robinson06:10:00 – 06:47:00 Lincoln by Gore Vidal06:53:00 – 07:08:00 Mother of Pearl by Melinda Haynes14:29:00 – 18:13:00 or 18:12 The Hearsts by Judith Robinson- "Thrusting his hands in his breeches pockets [no possessive]—a habit of his—and drawing himself erect, he said in a voice loud enough for the company to hear: 'This is my rance, and if these here folks don't like my shirt they can go home, it's time for folks to be in bed, anyhow, and I'm gwine thar,' and he steadied himself up the stairs to his apartment [this colon dialogue combined with whole independent sentence is novel to me.]09:56:00 – 10:32:0010:32:00 – 12:14:0011:29:31 – 11:38:5811:38:59 – 11:56:0010:52:00 – 11:43:2517:58:36 – 18:09:4118:10:4611:38:18 – 12:07:1812:09:15 – 12:28:1719:43:44 – 19:51:5714:12:00 – 14:18:00 The Boleyn Inheritance by Philippa Gregory20:17:23 – 20:36:3320:38:51 – 21:02:0921:02:12 – 21:21:4212:20:0016:26:00 – 17:01:00 White Oleander by Janet 17:25:00 – 17:40:00 Sovereign by C. J. Sanson17:47:00 – 18:39:00 White Oleander by Janet Fitch18:40:00 – 18:57:00 Picture You Dead by Peter James19:03:00 – 19:39:00 Secret in Her Kiss by Anna Randol17:47:15 – 18:22:3412:14:20 – 12:44:0912:48:07 – 12:52:2813:53:25 – 13:54:2011:27:00 – 11:59:00 The Mosquito Coast by Paul Theroux12:01:00 – 12:25:00 Bless Me, Ultima by Rudolfo Anaya12:28:00 – 12:49:00 The Mosquito Coast by Paul Theroux12:53:00 – 13:17:00 Bless Me, Ultima by Rudolfo Anaya13:24:00 – 13:40:00 The Mosquito Coast by Paul Theroux13:43:00 – 14:06:00 Bless Me, Ultima by Rudolfo Anaya14:18:00 – 14:39:00 The Mosquito Coast by Paul Theroux14:47:00 – 15:02:00 Bless Me, Ultima by Rudolfo Anaya09:10:00 – 09:40:00 The Mosquito Coast by Paul Theroux09:41:00 – 10:02:00 Bless Me, Ultima by Rudolfo Anaya10:04:00 – 10:16:00 The Mosquito Coast by Paul Theroux10:21:00 – 10:28:00 Bless Me, Ultima by Rudolfo Anaya10:30:00 – 10:46:00 The Mosquito Coast by Paul Theroux10:48:00 – 10:55:00 Bless Me, Ultima by Rudolfo Anaya11:15:00 – 11:33:00 The Mosquito Coast by Paul Theroux11:35:00 – 11:48:00 Bless Me, Ultima by Rudolfo Anaya11:50:00 – 12:08:00 The Mosquito Coast by Paul Theroux11:56:03 – 12:19:16 Threescore Years: An Autobiography by Samuel F. Holbrook12:21:20 – 12:47:18 Adventures During a Journey Overland to India Vol. 1 by Mayor Skinner, 31st Reg.12:47:52 – 13:04:40 London Labour and the London Poor by Henry Mayhew18:37:15 – 19:17:31 Ancient Iraq by Georges Roux19:22:59 – 19:38:50 Marian and Marion by J. M Selleger-Elout19:41:10 – 19:45:10 Ultima, Bless Me by Rudolfo Anaya19:47:45 – 19:50:22 The Mosquito Coast by Paul Theroux19:57:00 – 20:08:00 The Mosquito Coast by Paul Theroux20:10:00 – 20:24:00 Bless Me, Ultima by Rudolfo Anaya20:27:00 – 20:31:00 The Mosquito Coast by Paul Theroux12:39:00 Issue 10, PANK Magazine (Spring 2014)20:46:26 – 20:50:25 Issue 10, PANK Magazine (Spring 2014)16:34:56 – 16:52:13 Wildbow's Worm16:53:34 – 17:02:37 Cuttlefish That Loves Diving's Lord of the Mysteries17:02:39 – 18:10:58 Park Saenal's Overgeared18:12:54 – 18:38:02 Qi Peijia's The Legendary Mechanic18:41:45 – 18:49:14 pirateaba's The Wandering Inn18:58:09 – 19:06:20 Robert Hugh Benson's The Necromancers20:33:11 – 20:55:07 Park Saenal's Overgeared20:55:36 – 21:07:13 Qi Peijia's The Legendary Mechanic21:08:05 – 21:15:06 pirateaba's The Wandering Inn21:15:35 – 21:37:35 Cuttlefish That Loves Diving's Lord of the Mysteries21:38:24 – 21:44:06 Wildbow's Worm18:06:00 Sarah Dunant's In the Company of the Courtesan20:32:45 – 20:50:11 Void Herald's The Perfect Run 20:52:57 – 21:02:07 Gu Zhen Ren's Reverend Insanity 14:15:00 Sarah Dunant's In The Company of the Courtesan 15:29:57 Sarah Dunant's In The Company of the Courtesan 22:28:37 – 22:35:20 Wildbow's Worm 19:37:42 – 19:56:49 Cuttlefish That Loves Diving's Lord of the Mysteries 11:39:05 – 11:46:55 Linda Lay Shuler's She Who Remembers 18:13:00 – 19:03:00 Sarah Dunant's In the Company of the Courtesan 07:45:50 – 07:56:03 M. I. McAllister's The Mistmantle Chronicles (Book 1): Urchin of the Riding Stars 08:27:32 – 08:38:15 Hilaire Belloc's The Cruise of the Nona 08:29:00 – 08:38:22 Midnight Diaries - dragons-nest 09:26:53 https://local-labyrinth.neocities.org/cont/diary202607 13:10:04 Midnight Diaries - ethereal-dreamscape 17:21:37 Midnight Diaries - 𝐹𝑎𝑛𝑐𝑦-𝐴𝑝𝑝𝑙𝑒-𝑇𝑟𝑒𝑒🌴 17:11:05 – 17:20:46 Reif Larsen's I Am Radar 17:24:00 – 17:39:00 Reif Larsen's I Am Radar 14:45:00 – 15:27:00 I Am Radar by Reif Larsen 15:31:00 – 15:53:00 She Who Remembers by Linda Lay Shuler 20:47:00 – 21:43:00 Running with Scissors by Augusten Burroughs 22:40:00 – 23:17:00 Running with Scissors by Augusten Burroughs 20:35:00 – 21:44:00 Running with Scissors by Augusten Burroughs 19:36:00 – 19:51:00 Running with Scissors by Augusten Burroughs20:01:00 – 20:34:00 Running with Scissors by Augusten Burroughs20:40:00 – 20:50:00 Running with Scissors by Augusten Burroughs19:39:00 – 20:14:00 Running with Scissors by Augusten Burroughs 20:19:00 – 20:24:00 Running with Scissors by Augusten Burroughs 20:53:00 – 21:25:00 Running with Scissors by Augusten Burroughs 11:44:00 – 12:18:00 Running with Scissors by Augusten Burroughs 12:25:00 – 12:36:00 Running with Scissors by Augusten Burroughs 14:45:00 – 15:15:00 Running with Scissors by Augusten Burroughs 15:19:00 – 15:35:00 Running with Scissors by Augusten Burroughs 15:45:00 – 16:07:00 Bel Canto by Ann Patchett 16:19:00 – 16:34:00 Bel Canto by Ann Patchett 16:40:00 – 16:52:00 Running with Scissors by Augusten Burroughs 12:44:14 – 13:10:51 The Cruise of the Nona by Hilaire Belloc 17:55:00 – 18:25:00 Bel Canto by Ann Patchett 18:33:00 – 18:53:00 Running with Scissors by Augusten Burroughs 18:57:00 – 19:04:00 Bel Canto by Ann Patchett 19:14:00 – 19:23:00 Travels in Tartary by M. HUL. 12:02:00 – 13:07:00 The Time Traveler’s Wife by Audrey Niffenegger 13:18:00 – 14:08:00 A Million Little Pieces by James Frey 14:13:00 – 14:34:00 The Time Traveler’s Wife by Audrey Niffenegger 14:46:00 – 14:52:00 The Time Traveler’s Wife by Audrey Niffenegger 20:54:00 – 21:10:00 The Time Traveler’s Wife by Audrey Niffenegger 10:16:00 – 10:43:00 Silent to the Bone by E. L. Konigsburg 10:48:00 – 11:33:00 The Monkey’s Raincoat by Robert Crais 11:55:00 – 12:15:00 I Know Why The Caged Bird Sings by Maya Angelou 12:19:00 – 12:38:00 The Bunker by James P. O’Donnell 12:47:00 – 13:12:00 A Million Little Pieces by James Frey 13:26:00 – 13:45:00 The Time Traveler’s Wife by Audrey Niffenegger 13:49:00 – 13:58:00 A Million Little Pieces by James Frey 14:08:00 – 14:30:00 Silent to the Bone by E. L. Konigsburg 14:32:00 – 14:39:00 The Monkey’s Raincoat by Robert Crais 14:49:00 – 15:12:00 The Bunker by James P. O’Donnell 16:07:00 – 16:40:00 A Million Little Pieces by James Frey 16:51:00 – 17:20:00 A Million Little Pieces by James Frey 17:25:00 – 17:37:00 The Time Traveler’s Wife by Audrey Niffenegger 15:01:00 – 15:36:00 The Time Traveler’s Wife by Audrey Niffenegg 15:39:00 – 16:22:00 A Million Little Pieces by James Frey 16:28:00 – 16:39:00 The Monkey’s Raincoat by Robert Crais 16:40:00 – 17:05:00 Citizen Hughes by Michael [[Leaf 1, Page 1]]
[[Leaf 1, Page 2]]